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VALUATION OF THE CHOMACHE PAINTINGS ON THE ARID COAST OF THE ATACAMA DESERT (NORTH OF CHILE)

VALORACIÓN DE LAS PINTURAS DE CHOMACHE EN LA COSTA ÁRIDA DEL DESIERTO DE ATACAMA (NORTE DE CHILE)

Lautaro Núñez and Luis Briones

In this paper, we describe and analyze the panel with pictographs of Punta Chomache, located on the coast of the Atacama Desert, between Iquique and the mouth of the Loa River. The panel has geometric and conventional designs, mainly of fish, birds, and camelids, which are painted with white pigment and red additions. A chronological and cultural transitional affiliation during the Early Pica-Tarapacá Complex (650-900 to 1450 AD) is suggested, probably associated with a low density coastal occupation and possibly with a dual residence pattern. It would be a peripheral enclave integrated into the caravan networks coming from the oasis of Pica and Guatacondo/Tamentica. The panel is interpreted as a visual and ritual sign regarding the recurrence of exceptional fish stranding events, which caused feasts, social interactions, and transfers of surpluses to the fertile interior nodes.

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NEW EVIDENCE ON METALWORK UNDER THE INKA DOMAIN AND THE BEGINNING OF THE SPANISH CONQUEST IN THE SANTIAGO VALLEY (CENTRAL CHILE)

NUEVOS ANTECEDENTES SOBRE EL TRABAJO EN METALES BAJO EL DOMINIO INKA E INICIOS DE LA CONQUISTA ESPAÑOLA EN LA CUENCA DE SANTIAGO (CHILE CENTRAL)

Elvira Latorre Blanco and Horacio De Rosa

We present the characterization of five metallic objects from the sites of Talleres-Cocheras del Metro and Salvador 1, both located in the Santiago basin. Morphological, microstructural, and chemical composition analyses indicate that the objects from the first site are an unalloyed copper horseshoe manufactured by casting, two iron horseshoe fragments and a copper- tin alloy chisel, whereas the artefact from Salvador 1 is a chisel made of a copper-tin alloy. The results are compared to contemporary pieces from central Chile and the semiarid north, concluding that the chisel from Salvador 1 might be part of a pre-Inka tradition, characteristic of the southern sector of the semiarid north, while the Talleres-Cocheras chisel may be the product of a later tradition, with technological influences from northwestern Argentina that had been spread by the Inka. In addition, the copper horseshoe was probably manufactured in central Chile following a pre-Hispanic technological style typical of the southern Andes, suggesting a possible continuity of this metallurgical tradition under Spanish rule.

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“ETHNOLOGY AND ANCIENT HISTORY OF CHILE”. AN UNPUBLISHED LECTURE BY MAX UHLE AT UNIVERSIDAD DE CHILE, 1914

“ETNOLOGÍA E HISTORIA ANTIGUA DE CHILE”. UNA CONFERENCIA INÉDITA DE MAX UHLE EN LA UNIVERSIDAD DE CHILE, 1914

Jorge Pavéz

This paper presents a transcription of an unpublished lecture given by the German Andean archaeologist Max Uhle (1856- 1944) at Universidad de Chile in 1914. Here, Uhle presents his main assumptions on the ancient history of Chile, which he developed during his three years of residence and research in the country and which are also supported by his extensive research in the Central and Southern Andes. The lecture offers empirical and theoretical knowledge elaborated by Uhle to give account of the formation of cultures in the Chilean territory, namely: the distinction between anthropometric and civilizational evidence, the use of linguistic marks for cultural analysis, the development of time sequences from stylistic comparisons, the application of diffusionist notions to the phenomenon of historical and cultural contacts, and the identification of two types of “influences” on the nations of the current Chilean territory – “hordes” from the East and “civilizations” from the North, the latter being clearly distinguished by their Tiahuanaco and Inca “horizons”, allowing him to postulate the idea of “regional developments” in the Chilean territory.

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MODELS OF REPRESENTATION OF THE INDIGENOUS PEOPLE IN THE SCIENTIFIC/SCHOLARLY DISCOURSE. AN APPROACH BASED ON SCIENTIFIC ARTICLES PUBLISHING IN CHILE DURING FIRST THREE DECADES OF THE 20TH CENTURY

MODELOS DE REPRESENTACIÓN DEL INDÍGENA EN EL DISCURSO CIENTÍFICO/ERUDITO. UNA APROXIMACIÓN DESDE LOS ARTÍCULOS PUBLICADOS EN CHILE DURANTE LAS TRES PRIMERAS DÉCADAS DEL SIGLO XX

Héctor Mora Nawrath and Gertrudis Payás Puigarnau

In this article, which is linked to two research projects, we identify the representations of otherness present in the scientific/scholarly discourse on the indigenous population in Chile during the first three decades of the twentieth century. This period sees the institutionalization of a science referred to the study of indigenous peoples in Chile (material culture, anthropometry, customs and language), which manifests itself in the foundation of museums, scientific societies and the creation of specialized journals. Along with describing some aspects that refer to the material and social conditions from which this knowledge is constructed, we focus on characterizing the representations of the natives that circulated in a corpus of specialized articles that were published in this period, in order to identify the structures of meaning from which variants or models of representation of the otherness can be derived. In this analysis we have defined four prototypical forms of representation, which emerge from the identification of argumentation patterns from which “the other” is constructed as an object of the world, being different and more or less distant from “us”, we outline types of relationship and we establish the potential contribution of the indigenous “others” to a national project.

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COMMUNITY PARTICIPATION IN THE NATIONAL MUSEUM OF COLOMBIA FROM A HISTORICAL-LEGAL ANALYSIS

PARTICIPACIÓN DE COMUNIDADES EN EL MUSEO NACIONAL DE COLOMBIA DESDE UN ANÁLISIS HISTÓRICO NORMATIVO

Jhonny Antonio Pabón Cadavid

National museums are privileged spaces to construct political and cultural identities within the framework of a nation-state. The aim of this article is to analyze how political constitutions and cultural heritage law influence national museums’ practices in relation to the participation of multiple heritage communities. Using the National Museum of Colombia as a reference of historical development, this article analyzes how legal regulations have shaped its functions, operations, and representations since its foundation. It also presents proposals to understand the role of communities from four different perspectives: (1) as exhibitions, (2) as consultants, (3) as participants, and (4) as managers. To enable the fourth perspective, legal frameworks promoting policies that guarantee the cultural diversity and human rights of indigenous and Afro-Colombian communities are necessary.

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